Tuesday, 24 February 2015

Hanging Out At The Old Bus Depot


This is a Miller Avenue Musings Re-Run.

My two sisters probably spent most of their free time at the library up on Lovell but for me the three locations which I returned to with all the regularity of a devoted church goer was Village Music, the Sequoia Theater and the Bus Depot.
   It's interesting to me to see how little is known by the younger residents of today's Mill Valley about the Bus Depot. I suppose my generation of Mill Valley kids were equally ignorant about the trains which originally ran in and out of town. That's the problem with progress. The old gets torn down, built on and a way of life is forgotten forever.
   The main reason I was in the bus depot so much was the comic book rack which sat opposite the main counter as you entered from the Thockmorton side. I bought and collected a lot of comic books but they were only a small percentage of the ones I read for free. I never purchased Archie, Little Lulu, Casper and countless other titles, but I read them all.
   I was also on a first name basis with the ladies who worked there from a very early age. I knew Margo and Brun pretty well and they tended to give me special dispensation with regard to comic book reading whereas most boys were told to put the comics back.
   Over the years I spent a lot of time in the bus depot. Whenever my brother Jim and I found ourselves downtown that's the place we'd hang around.
   Sometime in the very early 1960s Jimmy and I became friendly with one of the Greyhound bus drivers. We got to know him through Margo who Jim thinks had a crush on him. He was a very good looking guy about thirty five and he was always a happy sort. His name was Arleigh. We took to spending Sunday afternoons down around the depot and Arleigh would let us sit in his parked bus while he awaited his next departure.
   Over time when we were off school Arleigh would let us ride into the city and back on his bus but we had to be careful not to get caught because the Greyhound Company hired spotters to ride the buses checking up on the drivers. Arleigh always gave us tickets and we had to pretend we didn't know him on these journeys.
   The usual route was out through Tam Valley, making a stop at Marin City which was where you would change to go north to San Rafael or Novato. The bus would  then continue on through Sausalito and across the Golden Gate Bridge. Once we were through the tollgate, we'd take the second exit off the freeway by the Palace of Fine Arts then on up Lombard Street with its endless parade of motels to Van Ness where the bus would hang a right. Van Ness took us over the hill then it was left on Golden Gate. The final leg of this journey was to cross Market at 6th, go around the corner to 7th and into the depot where there was a special angled parking space for the Mill Valley buses.
   Amongst our toys from very early on was a fleet of small Greyhound buses and I can remember running one of these in and out of Bearville, the imaginary town which my brother and I constructed for our sizeable teddy bear collection.
   I had a medium sized Greyhound Silverside which would come along the top of a concrete wall just below our front lawn and stop for a gaggle of imaginary bears on their way somewhere important.
   Apart from pretty regular car journeys with my father to the San Francisco waterfront on Saturdays, the usual form of transport to the city for us was the Greyhound bus which ran on the hour out of the Depot. Most of our early trips were with my mother Beth who would buy the tickets across the counter. There was a huge stamp that Margo or Brun would bang with their fist once the tickets were within its jaws.
   The drivers all wore a pretty smart military looking uniform. Grey shirt with a tie, matching grey trousers and each man, for I never saw a woman driver, had a military style hat which he would or would not wear. Attached to their belt was a leather holster which held the driver's individual ticket punch. The mark that was made by the punch was never the same and, thus, later identification of the driver could be made.
   Great play was made in Greyhound advertising copy about leaving the driving to them and, doubtless, the daily commute in and out of Mill Valley must have been a relatively painless business. Longer journeys, however, were a different story. I remember becoming impossibly bored and constrained on long Greyhound journeys like one we went on to New Mexico in 1958 .
   It was while sitting in his bus one day that we met one of Arleigh's colleagues who was named Ernst Heinemann. Ernst was very tall, dark haired and German. We learned that Ernst had been in the Hitler Youth as a kid and told us, quite calmly in his excellent English that Hitler had his good points as well as his bad.
   Ernst didn't feel the persecution of the Jews was a good thing but the concept of full employment and sense of purpose he saw as positive.
   Now my father Blackie had a very strong prejudice against Germans in general which was interesting because it was the only nationality he seemed to hold a grudge against. It was clearly to do with the Nazis for he didn't feel that way about the Italians or Japanese. He always told me that the Italians made 'lousy fascists' as their hearts weren't in it, whereas the Germanic character fitted the mold perfectly in his opinion.
   One of the many realities of the 1950s that Black had no enthusiasm for was the post war rehabilitation of the Germans. Werner Von Braun was not seen in our house as a new hero of the space race but as a Nazi scientist who invented the bombs which rained down on Britain during the war.
   One restaurant our family never even considered going to was the Mountain Home Inn with it's Germanic décor and draft beer served in big metallic mugs. I can only guess that Blackie hated the huge success that Volkswagen beetles and camper vans had in America during the sixties.
   I don't believe that either Jim or I ever mentioned our friend Ernst to Beth or Blackie but, I suspect, that if Blackie met him he would probably like him as we did.  
   One of the difficulties of growing up in a family where politics played such a strong role was the fact that most people hardly ever thought about politics at all. It just never came up with my friends at school. So, for me, this bag of political opinions that followed me around, was hardly ever dipped into or used at all, but it was always there.
   It was hardly twenty years since that war had ended and so much had changed for my parents during that time and here we were, no longer in Greenwich Village but in beautiful Mill Valley.
   Mount Tamalpais in all its glory attracted many hikers from around the world. Many would arrive by Greyhound on the weekends and head up Throckmorton to climb up any of the wooden steps which ascended towards the mountain. Quite a few of these hikers were German.
   That downtown junction where Miller ran into Throckmorton always was a nice part of town and on the weekends it was busy but not unpleasantly so. Directly opposite the depot on Miller stood Women's Mayers, a sizeable clothing store while the Men's Mayers was about a third of the way down the block near where Sunnyside joined in. Also along this strip was Meyer's Bakery where I used to enjoy a cherry Coke at their soda fountain.
   This was a time when the stores in Mill Valley had a practicality about them. Lockwood's Pharmacy, Strawbridge's cards & stationery, The Redwood Book Store, Ben Franklin five and dime, Esposti's ice cream parlour and many more.
   Sy Weill, a very tall bald man could usually be seen, immaculately attired, standing in front of his store Redhill Liquors smoking and watching the world walk by. His shop was on Throckmorton next door to the diner which had been known as Stuyvesant's but by the early 60s had become Pat & Joe's.
   I used to hang out around the depot, sometimes sitting on the bench with a clear view of the taxi cabs which parked there. One late afternoon while I sat on that bench I saw Ernst Heinemann wearing his full Greyhound uniform with military looking hat talking to this much shorter man who was dressed entirely in Lederhosen complete with a little cap that had a large feather protruding from it. Naturally they were conversing in their native tongue and they made quite a picture standing by the clock tower with the Old Mill Tavern in the background and the sight of pine trees ascending in the distance. It looked like a Nazi officer conversing with a German citizen during the war in some Bavarian village. I sat and watched them chatting away for some time. The fellow in Lederhosen was much older than Ernst and almost certainly would have been active during the great fracas.
   It must have been at least two years later when I read a story in the Chronicle all about our friend Ernst. He'd been arrested and taken off to the psychiatric hospital at Napa.
   There was a Greyhound driver named Bill Burke who was the father of Patty Burke, one of the prettiest girls in my year at school. Bill was a kind of driver's shop steward and he enjoyed the sorts of privileges which come with seniority.
   So Heinemann turned up on Bill Burke's doorstep one evening carrying a copy of William L. Shirer's Rise And Fall Of The Third Reich and telling Bill: "We must get the men together. We're all meeting up on the mountain."
   Presumably Bill humoured him and, once he'd gone, called the police about it.
   The next incident reported in the story was up in the parking lot at Bootjack Camp where the Marin Sheriff's deputy John Goff, who regularly patrolled Stinson and the mountain, confronted Heinemann near his car.
   When the officer became convinced that Ernst should be taken into custody the big German jumped in his vehicle and raced down the mountain. A high speed chase then occurred and the deputy managed to shoot one of Ernst's tires out, after which poor old Heinemann was, indeed, taken into custody and shipped off to Napa.
   It's rather difficult to find a moral to this sad story. I can only guess that the Nazis had more of an impact on poor Ernst's consciousness than he cared to admit and that, just as I had noticed the similarity between a Greyhound uniform and that of a Nazi officer's, something must have snapped in his mind convincing him he was back in the fatherland in 1942.
   By the time of this incident, we hadn't seen Arleigh in quite awhile and I don't think I ever saw him again.
   It's strange to sit outside what is now called the Book Depot amongst all the flamboyant new citizens of our home town and remember what it was like when big Greyhound buses would come through on the hour and take up a fair proportion of the parking lot.
   Mill Valley is so different these days with its cappuccino bars and herbal emporiums. I remember my brother Jim lamenting the fact that there was only one real café left where you could get bacon and eggs with a short stack without any garnish.
   I understand that change is an essential component of life but I can't help missing Pat and Joe's, all the stores which used to light up downtown Mill Valley and the wonderful old bus depot, comic books and all. 

Thursday, 5 February 2015

Of Baseball, Comic Books And Records At Village Music


In March of 1957 I was the smallest child in Mrs. Blaugh's fourth grade class at Homestead School and, though I had just turned ten years old, I probably looked about six.
   Being so tiny didn't bother me too much though the unrequited love of my life, Lily Burris, was taller than me and this may have been why she never gave me the time of day.
   The playground at Homestead was a whirl of contrasting activities. During recess, long jump ropes were wielded by pairs of girls while other kids stood in line to skip into it's constant rotation. Whether their skipping was successful or not, they all sang a counting rhyme as the rope came around with the regularity of a metronome.
   Groups of boys with arms around each other would stalk the playground chanting: "We won't stop!" There was hop scotch, marbles and, of course, sports.
   One of my best friends was Alex Robertson who was big for his age, a keen athlete and had a passion for baseball. My other best friends, Glen Pritzker and Billy Bowen were competent enough athletes unlike myself who was not. Because I was so small it was expected that I wouldn't be any good at sports and, sadly, it was a self fulfilling prophecy.
   At home I would play touch football and softball with my brother's friends but never at school. Whenever I would get up to bat at Homestead the cry would go out: "Myers is up!" At this point the outfielders, chuckling amongst themselves, would walk in past the base lines. The humiliation of this would fill me with a rage which guaranteed that I struck out three times in a row.
   The truth was that I had a terror of the ball. Had I used my time at the plate focusing on it and connecting with the bat I might well have knocked it over the fence onto Montford but instead I surrendered to my rage and didn't approach the situation with any clarity.
   My time out in left field was sadly worse as I spent it dreading that the ball might come in my direction and, again, my lack of focus and terror made me a lousy player.
   At home I wasn't too bad. Our father Blackie had got us a pair of fielders' mitts and brother Jim and I would regularly play catch with a hard ball up on Seymour Avenue just above our house.
   So it was mostly other areas of interest which I shared with my friends. Whenever Billy or Alex visited our house they would invariably lose themselves reading my comic books or listening to my records.
   I was, by now, a committed collector. The 45s and LPs were all kept in their original packaging and the comic books were stacked neatly in chronological order on a piece of furniture I had commandeered. I had Uncle Scrooge, Walt Disney's Comics & Stories, Superman and MAD magazines. My one strict rule was that nobody was allowed to fold back the covers on the comics.
   Glen and I would always make our weekly pilgrimage to Village Music where we'd pick up a copy of that week's Top 40 and listen to records in the sound proof booth. In those days the record shop was in one of the shops which nestled within the Sequoia Theater building. 
   Sara Wilcox was possibly the only adult shopkeeper in Mill Valley who didn't treat kids like second class citizens. A wander into Bennetts Variety store always invited the laser like surveillance of whichever bad tempered adult was on duty whereas Sara was always friendly, funny and never tired of playing us whatever records we wanted to hear.
   One record which came out around this time and I purchased was Perry Como's Round And Round. The simplicity of the song's arrangement appealed to me. It began with a quiet rhythm provided by a drummer using brushes. Then Como's voice came in, very gently.

       Find a wheel and it goes round, round, round,
       As it skims along with a happy sound,
       As it goes along the ground, ground, ground,
       'Til it leads you to the one you love,

It proceeded to build with the addition of male singers and soon after with female voices which intertwined through key changes and a middle eight. The whole thing built to a swirling crescendo then returned to the gentle brushes and Como's quiet voice. I loved this record and played it over and over.
   Perry Como recorded on the RCA Victor label which also had Elvis Presley and Harry Belafonte. Glen and I would study the actual labels which, in this case had a full color picture of a dog gazing into the horn of an old gramophone speaker against a black background. We came to know that the names inside the parenthesis under the song's title were those of the composers.
   The pop music of this time was a very broad church and Glen and I followed the fortunes of a wide range of artists. Tab Hunter had gotten to number one with his version of Young Love which was really inferior to Sonny James' recording of the same song but then Tab was a movie star despite being a completely unnatural singer.
   Another movie star who put out a few singles was Tony Perkins. He had a minor hit with Moonlight Swim that same year. The big difference between Perkins and Tab Hunter was that he could actually sing whereas all Tab could do was a passable imitation of singing.
   I guess it was the success of Tab Hunter's single which prompted the other Hollywood studios to put their juvenile leads into the recording studios as, before the year was out, a disk cut by Sal Mineo came into the charts and, presumably, sold quite a few copies. Keep Movin' was its title and it was not very good.  Like Tony Perkins Sal had a good voice but the song was not well crafted and I would never have bought it.
   I had to really love a record to commit the six bits it cost for a single and that was the beauty of someone like Sara Wilcox because Glen and I would only have to ask to hear something like Party Doll by Buddy Knox and she'd play it for us and the sound proof booth meant that she didn't have to listen to it herself.
   I'm not too sure that I even noticed the overstated southern accent of a singer like Buddy Knox whose pronunciations of words like 'fair' (fay-aire) and 'hair' (hay-aire) were very exaggerated but after Elvis Presley broke out of the south and became the phenomenon he was after 1956 it seemed there was a wave of southern white singers in the top 40.
   Another single I had to have was Butterfly by Andy Williams as well as a peculiar one that I always felt uncertain about which was Teenage Crush by Tommy Sands. I could never make up my mind if it was good or not but I did buy it though I never purchased another Tommy Sands single.
   This was also the time that Fats Domino released the terrific I'm Walkin' and The Diamonds came out with one I loved which was Little Darlin'. The singing voices on this record were so eccentric that they wouldn't have been out of place in a Warner Brothers cartoon. The opening created a visual picture of a waterfall in my mind with castanets clapping like clams as they fell.
   I was, by this time, absolutely enthralled with every record made by Elvis Presley for this was at the beginning of his long career and he was still putting out terrific singles like the next one to come along which was All Shook Up. This absolutely fabulous disk reminded me of Don't Be Cruel which was not such a mystery as, like its predecessor, it was composed by Otis Blackwell.
   I knew nothing of the behind the scenes machinations that Elvis's manager pulled off but the wily old Colonel  Parker formed a publishing company and demanded that song writers like Blackwell sign over the rights to this firm which was the main reason why Elvis had a writing credit on it. Elvis, however, was a demanding perfectionist in the studio and almost certainly made some changes to the lyrics during the thirty or so takes that he did.
   There were always words I couldn't fully fathom on an Elvis recording and All Shook Up was no exception. The line: "My friends say I'm acting as wild as a bug" filtered through to my ears as: "My friends say Mack you're acting queer as a bug."
   The opening beguiled me immediately with its fluid boogie woogie rhythm. The individual notes seemed to melt into each other unlike the bass notes on Don't Be Cruel which were distinct and separate.
   Another disk released on RCA Victor was by Harry Belafonte who was one of my favorites. Banana Boat was a much played 45 in my collection and his next release was Mama Look At Boo Boo which introduced us to dialects and accents we'd never encountered before. His West Indian lingo and lyrics were enchanting to a ten year old.
  
“Mama, look at boo boo,” they shout,
Their mother tell them, “Shut up your mouth,”
“That is your daddy,"
"Oh, no! My daddy can't be ugly so,”
"Shut your mouth! Go away!
Mama look at Boo Boo they."

   1957 was turning out to be rich for popular music as each week brought new delights to Sara's sound proof booth. I already had a few singles by Chuck Berry on the Chess and, unlike Elvis, his diction was crystal clear. His latest release was School Days and the witty lyrics described the drudgery of the classroom giving way to the joys of dancing to rock and roll after school.
   Another singer I had no problem understanding was Pat Boone. His next record which entered my collection was Love Letters In The Sand, which was basically a sad song but there was nothing melancholy about his version.
   Glen and I regularly discussed what we were going to do when we grew up. I was going to be a singer and he would be my manager. I did have a good singing voice and could produce fair imitations of all the records which I listened to. I remember standing on a bench in the playground at Homestead singing Love Letters In The Sand to an audience of probably nobody.
   Unlike me, Glen was a straight A student and by the end of 4th grade he skipped a year, going to Alto then Edna Maguire and ultimately to a prep school in the city so I didn't see him again for many years.  On the advice of his little league coach Glen gave up baseball and took up tennis, becoming something of a star player along with his sister Robin. But I knew nothing of this.
   As for Alex Robertson he was the main reason that I was able to be a loud mouthed little guy for he stepped in on many occasions to protect me from whatever rough justice my big mouth would inspire.
   Billy Bowen I spied leaving Village Music in the early 1960s with entire albums of Chuck Berry under his arm. When I asked why he told me he used them to practice his drums to at home.
   We all went to Alto for sixth grade and for reasons I no longer recall I drifted away from Alex and Billy. New friendships developed and the Top 40 evolved into something less excitng than the early Elvis and Little Richard. Such was the way of things but those years at Homestead retain a special fascination for me.